Job Number: J1026-0634
Job Title: ASSISTANT SOUND ENGINEER, SOUTHAM HALL
Employment Type: Full-Time continuing
Job Category: Production
Open Positions: 1
Posting Date: November 4, 2026
Closing Date: December 6, 2026
Salary: $45.26 - $45.26/Hour
Language Requirement: Bilingual
Working Hours: Full-Time continuing, 40 hours per week (as per the IATSE collective agreement)
Job Reports To: NAC Technical Directors
Key Activities Reporting to the NAC Technical Directors and accountable to the Executive Director of Production, the Assistant Sound Engineer, Southam Hall supports the Sound Engineer in the planning, preparing, set-up, operating, troubleshooting and maintaining audio systems and set-up and preparation of all elements related equipment for rehearsals, performances and productions presented in Southam Hall. The role requires advanced technical audio expertise, sound judgment, collaborative leadership, a strong service orientation and a sustained commitment to safe work practices, long-term development of their own technical, leadership, interpersonal and managerial skills. Your team skills are of critical importance in your dealings with workers, Heads of Department, Production staff, artists and clients.
Key responsibilities include, but not limited to:
• Support the Sound Engineer in planning and delivering all audio requirements for rehearsals, performances, recordings, broadcasts, livestreams and other events in Southam Hall;
• Review technical riders, plans, schedules and production information; identify equipment, staffing, system integration and operational requirements; and raise risks or conflicts promptly;
• Coordinate the setup, testing, operation, changeover, strike and storage of microphones, consoles, loudspeaker systems, communication systems, playback devices, recording equipment, RF systems and related infrastructure;
• Program and operate Front of House (FOH) console and monitor console audio mixing, managing wireless microphones, or other related audio equipment, when required;
• Coordinate audio requirements for touring productions and collaborate with visiting artists, designers, engineers and production teams to achieve the intended artistic result within available resources;
• Provide work directions to audio crews, assign tasks as delegated, monitor work quality and safe practices, and communicate operational priorities clearly;
• Inspect, maintain and document audio and communications equipment; identify defects, coordinate repairs and contribute to equipment inventory, lifecycle planning and recommendations;
• Maintain accurate system documentation, patching information, show files, equipment records and other technical documentation;
• Promote respectful, inclusive and collaborative working relationships with colleagues, artists, clients, contractors and touring personnel;
• Follow applicable legislation, collective agreement requirements, NAC policies and safe-work procedures, and report hazards or incidents promptly;
• Assume the responsibilities of the Audio Head when they are unavailable or need to be replaced; and perform other related duties consistent with the position.
Skill Requirements• Minimum of three years' experience within a professional theatre environment
• Thorough knowledge of digital stage sound, including interpretation of plans, set-up and operation of manual and automated sound systems, networked audio systems and a proven ability to program and troubleshoot digital and networked systems;
• Strong knowledge of safe work practices in a performing arts environment;
• Experience in the direction and supervision of crews;
• Proficiency in editing and operating QLab is essential;
• Ability to maintain a positive working environment and a positive attitude is essential;
• Ability to develop and maintain a good working relationship with artists, clients and colleagues of varying experience levels;
• Ability to work independently;
• Strong organizational skills and initiative;
• Self-motivated with respect to meeting the needs of the various types of clients;
• Ability to coordinate and deliver multiple concurrent projects within schedule and financial constraints;
• Ability to mix live music and monitor consoles;
• Ability to work and communicate effectively in both official languages (English and French);
• Must possess valid certification for Forklift, Elevating Work Platforms, Fall Arrest, Possession and Acquisition License for firearms, and Standard First Aid, or the ability to obtain and maintain any additional training or certification required for the position;
• Completion of a recognized rigging course is an asset;
• Completion of a recognized theatrical, audio or recording courses is an asset;
• Member in good standing of IATSE Local 471.
Operational requirements: • Must be available to work a flexible schedule: evenings, weekends, holidays, extended hours and schedule changes based on operational requirements;
• The position may involve working at heights; working in confined, noisy, dimly lit or backstage areas; and exposure to theatrical effects and production equipment, with appropriate controls and personal protective equipment;
• The role requires regular movement throughout Southam Hall and production areas, prolonged standing or walking, bending, reaching, climbing stairs or ladders, and the safe handling and positioning of audio equipment and cabling;
• The employee must be able to perform the essential duties of the position safely, with accommodation where required;
• Use of hearing protection and other personal protective equipment may be required.
Who Can Apply A member in good standing of IATSE, Local 471.
As part of NAC's interview process, in-person interviews may be required. Please ensure to have the most up-to-date information on your résumé including your current email address.
While we appreciate all applications, only those selected for an interview will be contacted by us.Are you interested in this job?
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