Full-Time, Exempt | Reports to: Director, Broadcast, AV & Media | East Rutherford, NJ
WHAT YOU'LL DO
• Provide a high level of service to both NFL tenants while maintaining absolute neutrality on team matters and protecting the confidentiality of each team's information.
• Serve as engineer of record for broadcast, A/V, and media services coordination with remote production trucks, ensuring signal and data routing is clean for two NFL broadcast partners.
• Own end-to-end technical execution for non-NFL events, including concerts, WrestleMania, international soccer, and other large-scale productions, adapting stadium systems to each show's touring production and broadcast requirements.
• Own uptime for FOH, BOH, video replay room, and audio control suite systems during live events, diagnosing and resolving issues in real time with zero tolerance for broadcast interruption.
• Partner with the Director, Broadcast, AV & Media on systems engineering, equipment lifecycle planning, and event-driven infrastructure changes.
• Supervise contracted Broadcast Engineers and A/V crew on event day, escalating equipment issues to the Director, Broadcast, AV & Media for vendor and warranty coordination.
• Maintain equipment, materials, and departmental records to support the Director's budget and planning process.
• Maintain stadium system documentation and CAD drawings used for troubleshooting, freelancer onboarding, and future upgrades.
• Bring forward emerging broadcast technology recommendations; you're expected to know what's next, not just what's installed.
• Lead technical evaluation and standards recommendations for the stadium's upcoming SMPTE ST 2110 modernization, partnering with the Director, Broadcast, AV & Media on final vendor selection and budget decisions.
THE TECH YOU'LL WORK WITH
Cameras & Production Sony cameras & CCUs, Ross production switchers, Ross Tria, Chyron
Routing & Infrastructure Evertz EQX router systems, EVS, Evertz Dreamcatcher
Comms Riedel Bolero wireless & wired intercom
Audio Dante audio network, Q-SYS digital/analog distribution, AES standards
IPTV & Distribution HD/emerging-format IPTV, ENG capture & distribution, multicasting, wireless ENG Tx/Rx
Standards SMPTE and AES standards across existing and emerging broadcast technology
WHAT WE'RE LOOKING FOR
Required:
• 10+ years of component-level broadcast engineering at a network, major-market, or large-facility level; NFL/major stadium, arena, or network O&O experience is a strong plus.
• Working knowledge of at least several of the systems listed above; deep expertise in any one is valuable, breadth across categories is ideal.
• Comfort supervising crew and coordinating with outside broadcast trucks under live, high-pressure event conditions.
• High School Diploma/GED required.
Preferred:
• Bachelor's degree in Broadcast, Communications, or a related field.
• Experience across the full television pipeline: engineering, production, post-production, programming, and traffic.
• Familiarity with stadium-specific infrastructure: truck docks, Wave Central, and large-format LED/scoring control systems.
• Experience with SMPTE ST 2110 or other IP-based broadcast infrastructure (PTP timing, IP multicast networking, SDI-to-IP migration) strongly preferred given our upcoming modernization plans.
SCHEDULE & WORK ENVIRONMENTThis role runs on the stadium's event calendar, not a standard week, including nights, weekends, and holidays when games and events are scheduled. Noise levels are moderate day-to-day and elevated during live events.
PHYSICAL DEMANDS
This position requires the ability to perform the essential functions below in a stadium environment, with or without reasonable accommodation:
• Regular movement throughout the stadium, including control rooms, concourses, dock areas, and field-level locations.
• Frequent use of stairs and ladders to reach control rooms, catwalks, camera positions, and broadcast infrastructure; elevators may not always be usable during live events.
• Extended standing and walking, particularly during live events, setup, and breakdown.
• Frequent lifting, carrying, and moving of broadcast and A/V equipment up to approximately 50 lbs.
• Fine hand manipulation to operate broadcast equipment, wiring, and control systems.
• Work at elevated positions such as catwalks, platforms, and camera wells.
• Exposure to indoor and outdoor stadium conditions, including varying weather, and elevated noise levels during live events.
